11th Gwangju Biennale
2. 9. – 6. 11. 2016
Korea

Fellows

The GB11 Biennale Fellows consist of roughly one hundred small- and medium-scale art organizations across the world whose work makes important contributions to the art of today, yet remains under the radar. Biennale Fellows will continue doing the important work they normally do, without GB11 being involved in their activities.
These organizations often function as the research and development department of the art world, generating new ideas, supporting artists to allow them to experiment and cultivate their practices, shaping new curatorial and educational methods, and fostering active relationships to their field as well as to their physical, social, and political environments. Yet the significance of their works for a wider art and social ecology has not been acknowledged enough.

To All the Contributing Factors

The Forum entitled To All the Contributing Factoris, consists of three days of activities dedicated to questions of value, continuity, and scale through the lens of the art organizational practices of the so-called Biennale Fellows, around 100 small and mid-size “differential” art organizations from various parts of the world, and imagining acts in common. Representatives from about 80 of the Fellows will participate in the Forum.



The Forum will take place at several locations, including the Gwangju Biennale Hall, 518 Archives, Gwangju International Center, Mite-Ugro, and May Mother's House.

Curated by Binna Choi and Maria Lind.
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Taipei Contemporary Art Center, Taipei

self-presentation:

Taipei Contemporary Art Center (TCAC) is an independent art space established by Taiwanese artists, curators, critics, writers, scholars and cultural researchers. TCAC hosts a co-editing room for artistic research, production, and participation, and engages in public affairs with collective efforts. With the aim to provide an open platform to present, exchange, create, and share across different boundaries, TCAC continues to explore its role as an intervention into the art community as well as society. As an organization, TCAC embraces aesthetic expressions that test institutional conditions and values beyond market forces and individualism, seeking criticality of art in its autonomy

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